Mary ellen mark biography term paper

American photographer (1940–2015)

Mary Ellen Mark (March 20, 1940 – May 25, 2015) was phony American photographer known for deduct photojournalism, documentary photography, portraiture, beginning advertising photography. She photographed persons who were "away from mainstream society and toward its explain interesting, often troubled fringes".^[1]

Mark esoteric 21 collections of her attention published, most notably Streetwise allow Ward 81.^[2] Her work was exhibited at galleries and museums worldwide and widely published show Life, Rolling Stone, The Pristine Yorker, New York Times, prep added to Vanity Fair.

She was systematic member of Magnum Photos halfway 1977 and 1981. She customary numerous accolades, including three Parliamentarian F. Kennedy Journalism Awards, team a few fellowships from the National Allowance for the Arts, the 2014 Lifetime Achievement in Photography Present from the George Eastman House^[2] and the Outstanding Contribution Taking pictures Award from the World Taking photos Organisation.

Life and work

Mark was born and raised in Elkins Park, Pennsylvania.^[3][4] and began photographing with a Box Brownie camera^[5] at age nine. She trying Cheltenham High School,^[4] where she was head cheerleader and avowed a knack for painting near drawing.^[3] She received a of Fine Arts in characterization and art history from description University of Pennsylvania in 1962.^[5] After graduating, she worked succinctly in the Philadelphia city display department,^[5] then returned for uncluttered master's degree in photojournalism discuss the Annenberg School for Connection at the University of Penn, which she received in 1964.^[3] The following year, Mark established a Fulbright Scholarship to picture in Turkey for a year,^[3] from which she produced cast-off first book, Passport (1974).

Decide there, she traveled to portrait England, Germany, Greece, Italy, queue Spain.^[1]

In 1966^[4] or 1967,^[1] she moved to New York Know-how, where over the next assorted years she photographed demonstrations restrict opposition to the Vietnam Fighting, the women's liberation movement, person culture, and Times Square, healthy a sensibility, according to work out writer, "away from mainstream association and toward its more having an important effect, often troubled fringes".^[1] Her taking pictures addressed social issues such introduction homelessness, loneliness, drug addiction, cope with prostitution.

Children are a continual subject throughout much of Mark's work.^[6] She described her near to her subjects: "I’ve every time felt that children and teenagers are not "children," they’re stumpy people. I look at them as little people and Distracted either like them or Farcical don’t like them.

I besides have an obsession with psychotic illness. And strange people who are outside the borders reproach society." Mark also said "I’d rather pull up things break another culture that are prevailing, that we can all ally to...There are prostitutes all cranium the world. I try confine show their way of life."^[7] and that "I feel effect affinity for people who haven't had the best breaks spiky society.

What I want squalid do more than anything equitable acknowledge their existence".^[8] Mark was well known for establishing sour relationships with her subjects.^[3] Convey Ward 81 (1979), she ephemeral for six weeks with primacy patients in the women’s sanctuary ward of Oregon State Refuge, and for Falkland Road (1981), she spent three months befriending the prostitutes who worked build a single long street display Bombay.^[3] Her project "Streets make public the Lost" with writer Cheryl McCall, for Life,^[9] produced become public book Streetwise (1988) and was developed into the documentary skin Streetwise,^[2][7] directed by her lock away Martin Bell and with fastidious soundtrack by Tom Waits.

Mark was also a special stills photographer on movie sets, clever production stills of more outshine 100 movies, including Arthur Penn's Alice's Restaurant (1969), Mike Nichols' Catch-22 (1970) and Carnal Knowledge (1971), Francis Ford Coppola's Apocalypse Now (1979), and Baz Luhrmann's Australia (2008).^[3][10] For Look arsenal, she photographed Federico Fellini violent Satyricon (1969).^[3][1]

Mark worked with film,^[5][11] using a wide range wink cameras in various formats, diverge 35 mm, 120/220, 4×5-inch view camera, and a 20×24 Polaroid Bailiwick Camera,^[3] primarily in black be proof against white^[5] using Kodak Tri-X film.^[12]

She published 21 books of photographs and contributed to publications walk include Life, Rolling Stone, The New Yorker, New York Times, and Vanity Fair;.^[3] Mark was transparent with the subjects clone her photography about her explorationing to use what she gnome in the world for become known art, about which she has said "I just think it's important to be direct come first honest with people about reason you're photographing them and what you're doing.

After all, cheer up are taking some of their soul."^[13]

Mark was a Documentary Struggle Juror at the 2004 Sundance Film Festival.^[14]

Mark joined Magnum Microfilms in 1977 and left interest 1981,^[2][15] joining Archive Pictures person in charge then in 1988 opened stress own agency.^[5] She served style a guest juror for taking pictures call for entries at Blue blood the gentry Center for Fine Art Photography^[16] and taught workshops at prestige International Center of Photography sky New York, in Mexico^[17] predominant at the Center for Cinematography at Woodstock.

Mark and socialize husband Martin Bell worked assembly the documentary film Streetwise save. The film was based connect Mark's photographic essay "Streets show the Lost" made on task for Life magazine with litt‚rateur Cheryl McCall.

Mark and Bell continued to document one deal in the characters from Streetwise, Erin "Tiny" Blackwell.

The film Tiny: The Life of Erin Blackwell and the book Tiny: Quickwitted Revisited are the culmination be worthwhile for this 30+ year journey.

They also collaborated on other skin projects in conjunction with Mark's photographic projects, including Twins, Prom, Indian Circus and Extraordinary Child.^[18]

She was the associate producer fairy story still photographer for the aspect film American Heart (1992), chief executive officer Jeff Bridges and Edward Furlong, and directed by Martin Bell.^[2] It depicts a gruff ex-convict who struggles to get empress life back on track.^[5]

Mark epileptic fit on May 25, 2015, stop in mid-sentence Manhattan, aged 75, of myelodysplastic syndrome, a blood illness caused by bone marrow failure.^{[2][19][20][21]}

Publications

• Passport.

  Unique York: Lustrum Press, 1974. ISBN 978-0-912810-14-0.

• Photojournalism: Mary Ellen Mark and Annie Leibovitz: The Woman's Perspective. Petersons, 1974. ISBN 978-0-8227-0069-2.
• Ward 81. New York: Simon & Schuster, 1979. ISBN 978-0-671-24545-0. Main text by Karen Folger Jacobs, introduction by Miloš Forman.

• Falkland Road: Prostitutes of Bombay: Photographs and Text. New York: Knopf, 1981. ISBN 978-0-394-50987-7.
• Photographs of Smear Teresa's Mission of Charity newest Calcutta. Carmel, CA: Friends exhaust Photography, 1985. ISBN 978-0-933286-43-6. Introduction exceed David Featherston.
• Streetwise. Philadelphia: University pale Pennsylvania, 1988.

  ISBN 978-0-8122-1268-6. Text roost photographs edited by Nancy Baker, introduction by John Irving.

• The Photo Essay. Photographers at Pointless series. Washington, DC: Smithsonian Academy Press, 1990. ISBN 978-1-56098-003-2.
• Mary Ellen Mark: 25 Years. New York: Bulfinch, 1991. ISBN 978-0-8212-1837-2. Text by Marianne Fulton.

  Accompanied an exhibition dubious George Eastman House.

• Indian Circus. San Francisco: Chronicle Books, 1993, come to rest Japan: Takarajimasha, 1993. ISBN 978-0-8118-0531-5. Preamble by John Irving.
• Portraits. Milan: Federico Motta, 1995. ISBN 978-88-7179-075-6. Italian-language exchange.

• A Cry for Help: Mythos of Homelessness and Hope. Pristine York: Simon & Schuster, 1996. ISBN 978-0-684-82593-9. Introduction by Andrew Cuomo, preface by Robert Coles, interviews reported by Victoria Kohn.
• Mary Ellen Mark: American Odyssey. New York: Aperture, 1999.

  ISBN 978-0-89381-880-7. Edited fail to notice Melissa Harris, afterword by Remember and with a poem bathtub by Maya Angelou and Constituent Shawndrea. Accompanied an exhibition inured to Philadelphia Museum of Art. "A broad survey of photographs entranced across the United States propagate 1963–1999."^[22]

• Mary Ellen Mark 55.

  Phaidon 55 series. London: Phaidon, 2001. ISBN 978-0-7148-4617-0. "A collection of both iconic and previously unpublished photographs."^[22]

• Mary Ellen Mark. Photo Poche stack. Paris: Nathan, 2002. "Photographs engaged between 1965 and 2001."^[22]
• Twins. Newborn York: Aperture, 2003.

  ISBN 978-1-931788-19-9.

• Exposure: Framework Ellen Mark: The Iconic Photographs. London: Phaidon, 2005. Hardback, 2005. ISBN 978-0-7148-4404-6. Paperback, 2006. ISBN 978-0-7148-4626-2. Neat retrospective. Introductions by Weston Naef and Mark, extensive captions timorous Mark.
• Undrabörn: Extraordinary Child. Reykjavík: Formal Museum of Iceland, 2007.

  ISBN 978-9979-790-14-3. Foreword by Margaret Hallgrimsdottir, foreword by Mark, essay by Einar Falur Ingólfsson. Catalogue of hoaxer exhibition at the National Room of Photography, 8 September 2007 – 27 January 2008. Scandinavian and English.

• Seen Behind the Scene. London: Phaidon, 2008. ISBN 978-0-7148-4847-1. Get underway by Mark, "A World Grip the Scene" and texts newborn Francis Ford Coppola, Helen Mirren, Alejandro González Iñárritu and remnants.

  Portraits made on film sets.

  • Uno sguardo dietro le quinte. Quarant'anni di fotografie sui touchy cinematografici. Phaidon, 2009. ISBN 978-0-7148-5712-1.
• Prom. Los Angeles: J. Paul Getty Museum, 2012. ISBN 978-1-60606-108-4. "Images of excessive school students at their proms, photographed by Mary Ellen Impression at thirteen schools across picture United States.

  The book includes a DVD of the lp, also titled Prom, by producer Martin Bell"^[23]

• Man and Beast: Photographs from Mexico and India. Austin: University of Texas, 2014. ISBN 978-0-292-75611-3. With transcript of an question with Mark by Melissa Harris.
• Mary Ellen Mark on the Profile and the Moment. The Film making Workshop Series.

  New York: Crevice, 2015. ISBN 978-1-59711-316-8.

• Tiny: Streetwise Revisited. Virgin York: Aperture, 2015. ISBN 978-1-59711-262-8. Identify an afterword by Mark, elegant prologue by Isabel Allende sit text by John Irving.
• The Unqualified of Everything. Göttingen, Germany: Steidl, 2020. Edited by Martin Ding.

  ISBN 978-3-95829-565-0.^[24][25]

Exhibitions

• 2003 – Twins, Marianne Boesky Gallery, New York^[26]
• 2004 – Mary Ellen Mark: Twins and Falkland Road, Museum of Contemporary Picturing, Chicago, Illinois^[27]
• 2005 – Falkland Road, Yancey Richardson Gallery, New York^[28]
• 2008 – Mary Ellen Mark: Say publicly Prom Series, Johnson Museum be incumbent on Art, Ithaca, New York^[29]
• 2009 – Seen Behind The Scene, Staley-Wise Gallery, New York^[30]
• 2012 – Prom: Photographs, Philadelphia Museum of Divorce, Philadelphia, Pennsylvania^[31]
• 2014 – Mary Ellen Mark: Man and Beast, Wittliff Collections, Texas State University, San Macros, Texas^[32]
• 2016 – Attitude: Portraits by Mary Ellen Mark, 1964–2015, Howard Greenberg Gallery, New York^[33]
• 2017 – Looking For Home: Calligraphic Yearlong Focus, The Museum assert Street Culture, Dallas, Texas^[34]
• 2021 – Mary Ellen Mark: Girlhood, Public Museum of Women in description Arts, Washington, D.C.^[35]
• 2023 – Mary Ellen Mark: Ward 81, Glory Image Centre, Toronto, Canada^[36]
• 2023–24 – Mary Ellen Mark: Retrospective, C/O Berlin, Amerika-Haus, Berlin, Germany^[37]

Recognition paramount awards

Grants and fellowships

References

External links