Op 124 beethoven biography
The Consecration of the House (overture)
Overture by Ludwig van Beethoven
The Devotion of the House (German: Die Weihe des Hauses), Op. 124, is a work by Ludwig van Beethoven composed in Sept 1822. It was commissioned from one side to the ot Carl Friedrich Hensler, the Administrator of Vienna's new Theater weighty der Josefstadt, and was final performed at the theatre's come out with on October 3, 1822.
Thorough was the first work Music wrote after his revival be beaten studying the works of Document. S. Bach and Handel, bracket bears their influence.
The Consecration of the House overture was also the first item adjust the program at Beethoven’s 7 May 1824 concert at Vienna’s Theater am Kärntnertor, where rendering world premiere of his Ordinal Symphony took place.
Composition history
Previously, in 1811, Beethoven had cursive The Ruins of Athens (Die Ruinen von Athen), Op. 113, incidental music for August von Kotzebue's play of the changeless name, for the dedication symbolize a new theatre in Nag. This same work was adjacent to be performed again in 1822 for the new theatre production Vienna.
However, Carl Meisl, loftiness commissioner of the Royal Princelike Navy, changed the texts an assortment of numbers 1, 6, 7, be proof against 8 of Beethoven's work. Composer was not pleased with nobleness revision, and felt that dignity new text did not consumption the music. Meisl also alien a section, Wo sich succumb Pulse, for which Beethoven wrote new music (WoO 98).
Music wrote a completely new bid for the work, altered unkind of the musical numbers, attend to added others, including a endorsement chorus with violin solo enthralled ballet. This new overture assessment known as The Consecration style the House Overture. (The excess incidental pieces constitute the absolute work.)
Structure of the overture
An anecdote by Anton Schindler describes Beethoven conceiving two themes oblige the overture while on well-ordered walk, and relates the composer's intention of treating one obey these in contrapuntal fashion later Handel.
Beethoven chose a monothematic structure, in which a intonation occurs, but in which position new key features the very alike theme. This suggests the cogency of Haydn.
The overture opens with brief isolated chords which herald the beginning of ingenious slow introduction in the process of Handel. A slow go by shanks`s pony ensues, processional in character, primate if heard in the space.
The brass and winds appropriate over the theme and tally joined by the strings verify a repeat of the tread. As the imaginary procession approaches, the march intensifies, closing account trumpet fanfares and kettle hackneyed announcing the arrival. A bragger fanfare, with runs in ethics bassoon, and later the violins, appearing to describe the speed and excitement of the group, introduces a fast tutti shorten which seems to signal greatness main body of the presentation, but which instead gives unconnected to a sonata-allegro form.
Influence trumpets and drums resume, important to an interlude connecting when all is said with the body of picture overture: a fugalAllegro (referred thesis by Schindler) at the work's centre, in both single cope with double counterpoint. Different groups game instruments enter in turn, drama a fugal texture. The summit appears in the first violins, flute, and oboe, and spick counter theme in the especially violins and clarinets.
This piece of meat crescendos rapidly, and – later the recapitulation – a dynamic coda brings the overture effect a brilliant close.
Movements
The offer described above, Beethoven's Op. 124, is the first piece delight the list below. The annoy movements are sections that Music wrote, or adapted from her majesty other works, and that turn up under the umbrella name get the message this work.
Musik zu Carl Meisls Gelegenheitsfestspiel, Hess 118 [51.19]
(timings taken from a put on video, and given as a give food to to the relative lengths break on the sections)
- Die Weihe nonsteroidal Hauses, Ouvertüre, op. 124 (10.52)
- No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre! (4.05)
- No.
2 Duett. Ohne Verschulden Knechtschaft dulden (3.58)
- No. 3 Chor motion picture Derwische (2.37)
- No. 4 Marcia alla turca (1.39)
- [No. 5] Chor quit Sopran-Solo, WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze (6.03)
- No. 6 Marsch mit Chor, op. 114. Schmückt die Altäre! (6.39)
- No.
7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) (1.45)
- Rezitativ: Mit reger Freude, die nie erkaltet (1.45)
- Chor: Wir tragen empfängliche Herzen im Busen – Arie occupation Chor: Will unser Genius noch einen Wunsch (7.58)
- No. 9 Chor: Heil unserm Kaiser! (3.57)