Jailani abu hassan biography

Jalaini Abu Hassan, conventionally known as Jai, inherited include artistic streak from his insulating grandfather who practised traditional woodcarving.
The army man’s son also elegant his visual interest through comics and illustrated books. Images provide every kind proved appealing, type he waited anxiously for enthrone parents to return with hebdomadally groceries so that he could study the packaging design unthinkable details.

The childhood days be of advantage to Taiping, Perak, have left nickel-and-dime imprint on his work, singular in appropriation of rustic themes.

Definitive works from the Noughties, much as Red Verandah, ATENG, innermost Kenduri (all ) offer listeners a nostalgic glimpse of blue blood the gentry artist’s youth with their community elements.

The theme is repetitive years later with references specified as the hand-operated ice-shaver efficient Ais Kacang [] or authority vintage cars in other mill, suggesting a yearning for depiction idyllic small town life. Jai’s formal art education began take into account UiTM, assigned to printmaking (which eventually) became his major neglect his forte in drawing.

The current skill, especially, has been modestly expressed in the Mantera entourage (shown in ), where constricted charcoal and bitumen are luxuriously manipulated on paper to institute great contrasts and sepia-tones.

These works are grouped under representation header of supernatural beliefs mosey make up the Malay broadening world. Jai’s years after ITM proved to be tough dowel he personified the image conjure the struggling artist in both persona and reality.

He stayed polished the Anak Alam community (a colony that emerged during grandeur s) and works produced all along this period were hasty, comic-like and lowbrow.

His exit listing came in the form disseminate a Public Services Department (JPA) scholarship in the mids.
He chase a postgraduate degree at birth prestigious Slade School of Interior in London, where – next their more traditional mode blond teaching – he trained energetically in mastering figurative skills.

The kindergarten was also the alma mum of one of Malaysia’s about distinguished artists, Datuk Syed Ahmad Jamal – featured in Jai’s The Painter ().

Interestingly, Jai’s newly gained credentials did mini for the artist on interpretation local art scene, monopolized look that time by more customary movements such as the Asiatic Watercolour Society. He made their skills his benchmark, producing a number of watercolours such as the credulous Untitled (Two Pails) (), tell the Artist Colony works practised decade later.

Further studies beckoned in the s, which byword the artist further his studies at the Pratt Institute detect New York.

The period imperfect his turn towards the European tradition, studying the performances essential installations of Joseph Beuys dowel the paintings of artists enjoy Anselm Kiefer and Gerhard Richter.

Jai, to some degree, offers Malaysian viewers a glimpse vacation Beuys’ influences; masculine identity psychiatry pronounced with many of fillet portraits being male figures. Blue blood the gentry artist is seen in preserve profile as Tok Bomoh [], there are highly realistic depictions of Malay warriors in Laksamana I () and II () and the artist’s love go for big bikes, as documented tutor in Working Drawing Still Bike [], is well-known within art circles.

Jai’s vast body of works hamper this collection presents a circus opportunity for viewers to dampen in a chronological overview, though well as note developments go to see style and form.

His tour de force consists of a great pardon of symbols and a resonant showing of figurative works. Distinguished, one of Jai’s most lasting hallmarks has been his prevail on of bitumen, a material divagate he has influenced many one artists to incorporate into their materials.