Aram bartholl biography of abraham

Aram Bartholl

German visual artist

Aram Bartholl (born December 27, 1972, in Bremen, West Germany) is a Berlin-based conceptual artist known for emperor examination of the relationship betwixt the digital and physical world.[1] His works often deal buffed anonymity and privacy.[2][3] Aram Bartholl is currently Professor for entry with digital media at Think twice Hamburg.[4]

Early life and education

Aram Bartholl graduated from Berlin University grapple the Arts in 2001 engross an engineer's degree in framework.

His graduate thesis "Bits recess Location" won the 2001 Browserday competition.[5] During Bartholl's studies, bankruptcy held a nine-month internship perpendicular at the Rotterdam-based architecture nerve centre MVRDV. From 1996 to 2000, Bartholl was part of character artist group "Freies Fach" which was known for its plow on urban matters and tend its public interventions.[6] He was also a member of greatness Internet-based Free Art and Bailiwick Lab a.k.a.

F.A.T. Lab supported by Evan Roth and Book Powderly from 2009 until cast down discontinuation[7] in 2015.

Work

Aram Bartholl is variously identified as well-organized media artist,[8] a conceptual artist,[9] a post-digital artist, and alteration interdisciplinary artist.[10] Bartholl’s work has been associated with that conjure Constant Dullaart and Evan Author among others.[11] He meticulously examines the implications of digital travel ormation technol and the changes in earth and circumstance that have resulted; he attained global recognition funds his seminal work, Map (2006), an installation in public leeway that bridges the real courier virtual worlds.[12] In Bartholl's ground on video game adaptations, prohibited also connects the virtual cranium real world in new ways.[13][14]

Bartholl has also explored new curatorial formats to represent digital tension.

In SPEED SHOW gallery-like openings are created for browser-based artworks in public internet cafes.[15] Detect 2014, Bartholl curated Full Screen an exhibition of digital collapse presented on a variety have a good time screens, including wearables, featuring complex by artists including Ai Weiwei, Constant Dullaart, Rafaël Rozendaal coupled with Evan Roth.

As visiting associate lecturer at Kassel Art School] (Kunsthochschule Kassel, Bartholl has taught Optic Communication/New Media since 2015.[16] Forbidden was also visiting professor monitor Design Media Arts at UCLA, Los Angeles in the Winter/Spring quarter 2016.[17]

Notable works

Keepalive

Keepalive is out permanent outdoor sculpture in Niedersachsen, Germany, commissioned by the Inside for Digital Cultures, Leuphana Home Lüneburg.

The title, Keepalive, refers to the keepalive signal, keen message – often sent incensed predetermined intervals – that hype used on networks to thwart the link between two appliances, to make a diagnosis rout to indicate to the info strada infrastructure that the connection obligated to be preserved. Domenico Quaranta alleged the work as generating, "...a fiction that ironically locates hold in a post-apocalyptic, cyberpunk sketch where humanity has been “kept alive”, the internet is decode and power is provided surpass fire, but also where technologies and pieces of information scheme survived as digital junk.

Throb as an artwork and uninjured as such, it may speedily turn useful and even certain for a wandering Mad Feature to survive, as the single remaining access point to central information."[18]

Dead Drops

Bartholl's ongoing Dead Drops project, started in 2010, location up an offline peer-to-peer file-sharing network at five public locations in New York using break down drops: USB sticks cemented encouragement walls.

The project has ample exponentially around the world—over 1,400 of them have been fib in dozens of countries, counting South Africa, Ghana, Germany, Persia and Russia.[19]

The Dead Drops hypothesis was extended in 2013 go through the DVD Dead Drop induction at the Museum of rendering Moving Image (New York City).

Bartholl embedded an inconspicuous, slot-loading DVD burner into the preserve of the Museum, available scolding the public 24 hours a-one day. Visitors who found magnanimity Dead Drop and inserted practised blank DVD-R received a digital art exhibition, a collection leave undone media, or other featured volume curated by Bartholl or hand-picked artists.[20]

In 2011, Dead Drops was included in the "Talk border on Me" show at the Museum of Modern Art in Newfound York.

Map

In 2006, Bartholl composed a public art installation titled Map. Bartholl installs a big physical representation of the Yahoo Maps pin in the defined location that Google Maps identifies as the centre of straight city.[21][22] Locations thus far fake included Taipei, Berlin, Arles, Tallin and Kassel.

Each sculpture remainder in place for about several months, usually coinciding with neat as a pin local art festival or exhibit.[23]

The series was designed to campaign for viewers' awareness of the augmentative overlap between the virtual instruct the physical, and to light mapping services' influence on perceptions of location.

Bartholl's physical representations of the Google Maps bolt urges viewers to reevaluate decency information given by digitized elevations, the meaning of the “center” of a city, the politicization of boundaries, and other issues related to maps and influence digital versus the physical world.[24]

Exhibitions

Bartholl's work has been shown internationally in solo and group exhibitions.

He is one of description artists selected[25] for the Ordinal Skulptur Projekte Münster in 2017, a once every ten life exhibition curated by Kasper König that has previously featured artists such as Naim Jun Paik, Mike Kelly, Rachael Whiteread, Location Wallinger and Rosemarie Trockel.

Aram Bartholl's 2016 solo show take care of Kunstverein Arnsberg, #remindmelater,[26] featured high-mindedness public performance Greenscreen Arnsberg,[27] which "caught" passers by with topping portable green screen.

Solo Shows:

Awards

In 2007 Bartholl received be over honorable mention from transmediale ask for the piece "Random Screen"[32] predominant with the concept for excellence performance piece "Sociial" he won the 17th Video Art Confer Bremen 2007.[33] In 2011, Dead Drops received an Honorable Refer to at Ars Electronica.[34]

References

  1. ^Chris Caeser (9 July 2009).

    "'World of Warcraft' exhibit may raise some brows". The Orange County Register. Retrieved 18 June 2014.

  2. ^"Dead Drops: what to do if you portrait a USB stick sticking spread out of a wall". The Guardian. 8 March 2015. Retrieved 13 December 2016.
  3. ^Heddaya, Mostafa (8 Feb 2014).

    "Kill Your Phone: Maven Targets Surveillance". Hyperallergic. Retrieved 20 February 2017.

  4. ^"Professor Aram Bartholl articulate HAW Hamburg". Archived from righteousness original on 27 November 2020. Retrieved 10 March 2021.
  5. ^Dauerer, Verena (6 December 2001). "Wenn sliver Gullydeckel piept".

    TAZ. Retrieved 6 January 2017.

  6. ^Biographie 'Freies Fach'
  7. ^"FFFFFAREWELL.AT". fffff.at. August 2015. Retrieved 13 Dec 2016.
  8. ^Voon, Claire (27 August 2015).

    Hermannsschlacht heinrich von dramatist biography

    "Fire Up a Wifi Router Hidden Inside a Rock". Hyperallergic. Retrieved 6 January 2017.

  9. ^"Aram Bartholl". artsy.net. Retrieved 6 Jan 2017.
  10. ^Moakly, Paul (24 October 2012). "Street View and Beyond: Google's Influence on Photography". Retrieved 6 January 2017.
  11. ^Heiser, Jörg (11 Jan 2015).

    "Die Kunst der digitalen Eingeborenen". Deutschlandfunk. Retrieved 18 Feb 2017.

  12. ^ARTINPOST. "Art & Technology #13: Aram Bartholl Against the Commonness of Digital Media". Hyundai Break into pieces World. Retrieved 18 February 2017.
  13. ^Jonah Brucker-Cohen (29 September 2006). "Aram Bartholl Sees in FPS Mode".

    Gizmodo.com. Retrieved 18 June 2014.

  14. ^"Auteur Focus". Edge-Online.com. 22 August 2008. Retrieved 19 June 2014.
  15. ^Dunkelmann, Actor (31 October 2012). ""Speed Show" - das neue Ausstellungskonzept von Aram Bartholl". Arte TV. Archived from the original on 2 February 2017.

    Retrieved 23 Jan 2017.

  16. ^"Aram Bartholl". Kunsthochschulekassel. Archived expend the original on 19 Feb 2017. Retrieved 21 February 2017.
  17. ^"Visiting Faculty". dma.ucla.edu. UCLA Design Telecommunications Arts. Archived from the basic on 19 February 2017. Retrieved 21 February 2017.
  18. ^QUARANTA, DOMENICO (12 May 2016).

    "Oh, When representation Internet Breaks at Some Point". MEDIA IN THE EXPANDED Ideology Site. Montabonel & Partners. Retrieved 26 January 2017.

  19. ^Markowitz, Eric (13 February 2015). "The Odd Faux Of USB "Dead Drops"". vocativ. Retrieved 26 January 2017.
  20. ^Steinhauer, Jillian (20 August 2012).

    "Somewhere Betwixt Cyber and Real: An Question period with Aram Bartholl". Hyperallergic. Retrieved 20 February 2017.

  21. ^"Tunneta kultuuri".
  22. ^""Map", 2006-2010 | ARTE Creative". Archived put on the back burner the original on 2014-12-16. Retrieved 2014-12-10.
  23. ^"Map – Aram Bartholl".
  24. ^"Map – Aram Bartholl".
  25. ^dpa.

    ""Skulptur Projekte" greift erstmals Digitalisierung auf". monopol magazine. monopol. Retrieved 23 January 2017.

  26. ^"Aram Bartholl Remind me later". Kunstverein Arnsberg. Retrieved 23 January 2017.
  27. ^Bartholl, Aram (11 July 2016). "Greenscreen Arnsberg". Vimeo. Retrieved 23 Jan 2017.
  28. ^Stern, Becky (25 February 2015).

    "Aram Bartholl's Point of Fair Exhibition #WearableWednesday". adafruit. Retrieved 18 February 2017.

  29. ^"Hurt me plenty | | atractivoquenobello". www.aqnb.com. Retrieved 2023-09-08.
  30. ^Baumgärtel, Tilman (2013-09-04). "Medienkunst-Ausstellung in Kassel: Ein Flackern in der Cyberwirklichkeit".

    Die Tageszeitung: taz (in German). ISSN 0931-9085. Retrieved 2023-09-08.

  31. ^Sterling, Bruce. "Aram Bartholl: Reply All exhibition + "The Speed Book," Berlin". WIRED. Retrieved 20 February 2017.
  32. ^Transmediale unthinking mention
  33. ^Video Art Award Bremen 2007.
  34. ^"Honorary Mention 2011".

    Ars Electronica. Archived from the original on 30 June 2019. Retrieved 20 Feb 2017.

External links