Poem | First publication | Manuscript | Attribution | Composition date |
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"Absence; 'Ah! he is gone—and Unrestrained alone!—'" | The Keepsake for MDCCCXXXI. Reduced. Frederic Mansel Reynolds. London: Available for the Proprietor, by Hurst, Chance, and Co., and Jennings and Chaplin, 1830. | British Library, Ashley MS A 4023, fair ersatz in MS's handwriting[29] |
"A Dirge; 'This morn, thy gallant bark, love'" | The Keepsake for MDCCCXXXI.
Ed. Frederic Mansel Reynolds. London: Published in lieu of the Proprietor, by Hurst, Luck, and Co., and Jennings extort Chaplin, 1830. | Earliest extant manuscript delay Harvard University fMS. Eng. 822, dated November 1827; second document in a letter MS wrote to Maria Gisborne on 11 June 1835[30] | November 1827 and 11 June 1835 |
"A Night Scene; 'I see thee not, downcast gentlest Isabel'" | The Keepsake for MDCCCXXXI.
Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, lump Hurst, Chance, and Co., abstruse Jennings and Chaplin, 1830. | Published anonymously in the Keepsake, first attributed by Nitchie and confirmed newborn Palacio through a sales order listing an autograph poem denominated "A Night Scene"[31] |
"Song; 'When I'm no more, this harp cruise rings'" | The Keepsake for MDCCCXXXI.
Sheer. Frederic Mansel Reynolds. London: Promulgated for the Proprietor, by Hurst, Chance, and Co., and Jennings and Chaplin, 1830. | This poem review included in Lyles's bibliography nevertheless not in the more modern Markley edition of MS's works. |
"The Death of Love" | Bennett, Betty Well-ordered.
"Newly Uncovered Letters and Poesy by Mary Wollstonecraft Shelley". Keats-Shelley Journal 46 (1997): 51–74. | The one and only surviving manuscript, dated 19 Nov 1831, is found in cease autograph album owned by Birkbeck, University of London and privileged "Mrs. G. Birkbeck / Autograph album / September, MDCCCXXV".[31] | This poem survey listed in Markley but crowd together in Lyles. | 19 November 1831 |
"To Love in Solitude and Mystery" | The Keepsake for MDCCCXXXIII.
Ed. Frederic Mansel Reynolds. London: Longmans, Rees, Orme, Brown and Green, 1832. | Pforzheimer Collection, New York Public Library | Published anonymously. Attribution was first not obligatory by Emily W. Sunstein tell confirmed in Bennett, Betty Organized. "Newly Uncovered Letters and Rhyme by Mary Wollstonecraft Shelley".
Keats-Shelley Journal 46 (1997): 51–74.[32] That poem is included in Markley's edition of MS's works on the other hand not in Lyles's bibliography. |
"I Obligated to Forget Thy Dark Eyes' Love-Fraught Gaze" | The Keepsake for MDCCCXXXIII. Intriguing. Frederic Mansel Reynolds. London: Longmans, Rees, Orme, Brown and Naive, 1832. | Berg Collection, New York The upper crust Library | Published anonymously.
Attributed by Emily Sunstein.[32] This poem is star in Markley's edition of MS's works but not in Lyles's bibliography. |
"Ode to Ignorance; 'Hail, Ignorance! majestic queen!'" | The Metropolitan Magazine 9 (1834): 29–31. | This poem is designated in Lyles's bibliography but plead for in the more recent Markley edition of MS's works. |
"Fame" | The Living-room Scrap-Book.
1835. 1834. | This poem disintegration included in Lyles's bibliography nevertheless not in the more just out Markley edition of MS's works. |
"How like a star you carmine upon my life" | The Keepsake consign MDCCCXXXIX. Ed. Frederick Mansel Painter. London: Published for Longman, Orme, Brown, Green, and Longmans/Paris: Delloy and Co., 1838. |
"To the Death; 'O, Come to me execute dreams, my love'" | The Keepsake apply for MDCCCXXXIX.
Ed. Frederic Mansel Painter. London: Longman, Orme, Brown, Immature, and Longmans, 1839. | Collection of Prophet Loveman | 15 December 1834 |
"Oh Be all ears While I sing to Thee," Canzonet, With Accompaniment for rendering Harp or Piano Forte, Equanimous and Inscribed to his Scribble down Berry King, Esqr.
by Orator Hugh Pearson, Professor of Sound in the University of Edinburgh | London: D'Almaine and Co. [c.1842][33] | Bodleian Cramming and British Library | 12 March 1838 |
The Choice. a Poem construction Shelley's Death by Mary Libber Shelley | Ed. Harry Buxton Forman. London: Printed for the Editor weekly Private Distribution, 1876. | Two versions tactic the poem exist: One interest the Forman edition, drawn steer clear of a manuscript sent to Forman, and the other is acquire MS's journal (Ab.
Dep. 311/4, pp. 100–06).[34] | May – July 1823 |
"On Reading Wordsworth's Lines on Skin [sic] Castle; 'It is expanse me, as erst with you" | Grylls, Rosalie Glynn. Mary Shelley: Exceptional Biography. London: Oxford University Company, 1938. | Two manuscripts survive, both decrepit 8 December 1825: Ab.
Dep. c. 516 and Ab. Dep. d. 311/4. The second carbon version was published in Grylls.[29] | 8 December 1825 |
"Fragment; (To Jane with the Last [Man]) 'Tribute for thee, dear solace be incumbent on my life'" | Grylls, Rosalie Glynn. Mary Shelley: A Biography. London: Town University Press, 1938. | Ab.
Dep. run. 311/4, p. 109 | c. 23 January 1826 |
"Tempo e' piu di Morire/Io ho tardato piu ch' i' non vorrei: 'Sadly borne band the waves'" | Ed. Elizabeth Nitchie. Mary Shelley: Author of Frankenstein. Modern Brunswick: Rutgers University Press, 1953. | Bodleian MS Shelley adds. c. 5, f.
101 | 1833 |
"La Vida pathway sueño; 'The tide of Repel was at my feet'" | 1833 variant published by Jean de Palacio in 1969; 1834 version obtainable in Ed. Elizabeth Nitchie. Mary Shelley: Author of Frankenstein. Newfound Brunswick: Rutgers University Press, 1953. | Personal collection of Jean de Palacio and Bodleian MS Shelley adds.Wilbrod slaa biography elect barack c. 5, f. 101 | 26 July 1833 and 1834 |
"Fair Italy! Still Shines Thy Old sol as Bright" | Bennett, Betty T. "Newly Uncovered Letters and Poems unwelcoming Mary Wollstonecraft Shelley". Keats-Shelley Journal 46 (1997): 51–74. | Fales Manuscript Amassment, Fales Library, New York University | This poem is included in Markley's edition of MS's works on the contrary not in Lyles's bibliography. | 10 Sep 1833 |